Monthly Archives

October 2009

Twin Atlantic Interview With Sphere Mag

Sphere Magazine done an interview with Barry and Ross from the band

“When we write songs we kind of submerse ourselves in our own world”

S] Okay, so we are in York right now – you’ve said that you played before and there were only a few people in attendance so how was it coming back?

Ross] Yeah, there were considerably more people in this time than there was the last time we were here. It was great because people seemed to know a little bit more about the band and were singing along, so that was amazing.

S] You seemed to really give it 110 per cent out there, how was it to be able to come back and just let lose with the crowd being so responsive?

Barry] It was really liberating. I mean we always have to give everything when we go out on stage whatever happens. I mean tonight we were all suffering from colds and flu but we thought, ‘F**k it’, because if people come along to watch us play then we have to show them our appreciation by putting on a great show. Even if only one person more had come since last time, we would feel the same – but we were pleasantly surprised.

S] Can you tell us about the themes and concepts behind the new album?

Barry] Well, the name of the record is ‘Vivarium’ and a vivarium is a glass enclosure for life basically. It’s the idea that when we write songs we kind of submerse ourselves in our own world and the songs on this album were all created in this artificial environment that we created for ourselves, and I guess, for the themes – when we first released ‘A Guidance From Colour’, it was very much a mish-mash of different ideas and there was some quiet, loud, heavy and soft elements and quite often we had all of these different dynamics on one song and I guess with this record we just wanted to take that idea and push it a little bit further and we needed to make sure that we took what Twin Atlantic was and make it better.

Ross] Yeah, it was very important for us to develop more. When we released our first EP, we hadn’t really been a band for any time at all and we were really just trying to get to know ourselves but with this album, we are trying to set out our own stall if you like, and create our own entity and not just something that was pieced together from parts of other things that we liked.

Barry] I mean, obviously we can’t speak from Sam’s (vocals) point of view but I think that on our previous release he was very introspective and he would write about family situations or his own personal life whereas on this record dealt with broader topics and stuff that really relates to everyone.

S] We saw you guys at Sonisphere which was a few months back now, and one song really hit us, a track called, ‘You’re Turning Into John Wayne’ what inspired that track and the lyrics?

Ross] Some people think it’s an anti-American song and some people think it’s anti-the rest of the world. However it’s more a reflection on American culture and the fact that whether we like it or not – it has taken over the world and it’s in every person’s life. So, it’s more a commentary on that. It’s not really anti or pro anything. It’s just about making people aware that it’s in every film you watch and every TV program and even the majority of bands that you like.

Barry] Yeah, but it’s not about us pointing the finger at everyone else though because that would be hypocritical but that’s why the song also has the lyric, ‘Every song I own is made in the USA, so it’s pointing out the fact that all the stuff that we watch and listen to alongside the clothes that we wear are all related to what’s going on stateside.

Ross] It’s kind of embarrassing to think that we don’t use our own minds enough to do our own thing really.

S] Going back to Sonisphere – that was on a much bigger scale – tell us what it was like to perform in front of such a great crowd?

Barry] I mean, most people come to watch us when we play in Scotland because that’s our home. Of course, the further south we go, less and less people have heard our music so when we get as far south as Knebworth and we get that kind of reception, it really is amazing. We weren’t expecting much in terms of the crowd but we were very surprised and very humbled by it all. Whether or not they had heard us before it didn’t matter because the amount of people that came up to us afterward and said, ‘I’ve seen you before and that was great’ or ‘That’s the first time we’ve heard you and you were great’ – it was amazing, and I we really enjoyed it.

Ross] It wasn’t like the tent was packed before and everybody left either. It was quiet at the start and then it got bigger and the people that were there from the start of the show didn’t leave so it was very cool and it was good to know that people were getting into it.

S] You guys went to LA to record the new album what was it like working with the acclaimed producer John Travis?

Barry] It was surreal to be honest. Prior to that we’d only recorded the EP and that was in Wales and it was four tracks and the whole thing was done in four days. We had to scrape all of the money from our part-time wages together to record. This time though when we got signed to an actual label and given a budget to record and we could really spend time on things, and really think about how we wanted the album to sound. So yeah, it was weird to be given the opportunity to do that, but to also be able to record on the other side of the world in a place where none of us had ever been before. It was really nuts.

Ross] Definitely. We did the EP in four days and this time we had two-and-a-half months. At the beginning we were like, ‘We’re going to have two months and a week left’ but obviously the more time that you have, the more time that you spend on things and sure enough we were there ‘till the last minute trying to wrap things up.

Barry] The good thing about going to America we found was that we really had to submerse ourselves into the band. If we were at home, and only another phone call from family or friends – I mean we had friends in Wales as well, so when we recorded the EP we weren’t on our own. But, for this, we were on the other side of the world and so the only people we knew were each other, so we really had to live and breathe the band and that really helped us to focus on how we wanted the record to turn out.

Ross] We didn’t fall out with each other once – I am really proud of us all because we stuck together. [laughs]

S] Examining the differences between your EP and this album, how do you feel that you’ve grown as a band through the music?

Ross] I think that individually, we have all become much better musicians. I mean, looking at Sam when we did the EP, he had not been playing the guitar for all that long. It’s realty apparent on the new record that as we’ve been practicing and he has been writing more and more and has got a lot better. So, I think that all of us individually have progressed. I think now we all play for the song and not for our own ears. Everything we do is now based around the song we are creating. I think it’s like, we have grown up and instead of us trying to play, and pack in as much as possible, we have learned to sit back. We have definitely progressed as band and it’s not so much about ourselves anymore.

Barry] I know that a lot of bands come out and say that they’ve matured a lot on a new record but I think we have literally matured over this whole process and as Ross was saying instead of all of us saying, ‘I want to do something here and here’, it was more about what works best for the song. Also, when we first started work on our EP, we’ve not only become much more accomplished on our instruments but we’ve grown into each other a lot as musicians and learned about how we each work and how we can work together. When we first recorded our EP we had not been together long at all and there was a lot we still didn’t know about each other as people and as musicians and I guess on this record we became much more adept at understanding each other. We were able to play to each other’s strengths and I think that comes across a lot better on this record.

S] Obviously we are based in the North, and we are lead to believe that everything in terms of music is based in the south – we were wondering in England, do you notice a big divide between the north and the south and in terms of the responses that you get?

Ross] To be honest, for us, England at the moment is really like one entity. I mean, there are these little pockets say in Newcastle or Manchester or to a certain extent London where slightly more people come and see us, but there’s no drastic difference. England is a hard place for us and we haven’t toured extensively over here so personally I don’t notice a difference.

S] You’ve said that you are very close to your family and your home surroundings – to what extent do these things influence your material especially in your earlier days?

Barry] I think that coming from Glasgow definitely influences the music. We are all very proud of where we come from and you can really tell that from the fact that Sam sings in his natural accent and it’s the same with the backing vocals – so it definitely carries an influence over our sound and we have never wanted to sound fake. But also, coming from Glasgow – the music scene there is so strong and the are so many good bands and we grew up listening to a lot of great Scottish and English bands so of course, that influenced our music as well but on top of that, coming from Scotland, having the shi**y weather has an effect on everyone. Also, being from Scotland it seems like there is a sense that you are always the underdog and I guess that maybe comes across.

Ross] I think that idea comes across without us really noticing. I mean our music goes from having one guitar playing the quietest thing ever to everybody playing as much as they possibly can – it’s like almost like we are striving to be heard and maybe we don’t realise it but perhaps it’s all about us trying to say, ‘Look at us’ and trying to make a real impact. If you are from Scotland you are always the underdog and you just have to try harder.

S] The world is about to end because of a plague of Zombies – what weapon do you use to defend yourselves and why?

Ross] That’s a good question. What kills zombies?

Barry] It’s about decapitation – so what would be your decapitation method of choice?

Ross] A baby’s leg?

Barry] What? You mean like a normal baby’s leg or a zombie-baby leg?

Ross] Yeah, I would use a zombie baby’s leg.

Ross] I would use a fu**ing crossbow – I have never shot one so that would be cool.

Barry] Do you know that if you are a Scotsman and you are on the walls of York, you can still be fired at and killed legally? It’s an ancient law that’s never been turned over.

S] It’s the Twin Atlantic dinner party – a special celebratory one for the release of ‘Vivarium’ who would you each pick to join you and why?

Ross] Well, I think that Ghandi’s really frail and he needs a good feed.

Barry] I think that we should get the Olsen twins together – I mean, they need a good feed. I’d feed them a good portion of…self-help. [laughs]

S] What are your biggest plans now for the rest of the year – is it all about the touring?

Ross] Pretty much – we are going to get away for as long as we can. We are actually going to try and do another two tours of the UK before the end of the year and in between those two we are hopefully going to try and get into Europe a bit. If things come through for us then hopefully we are going to be in America for a wee while as well. That’s before Christmas, and after that we are going to record our next record, tour in the summer and do some festivals, we’ll then get the record out and that’s it so far!

S] Do you have any ideas for the next record yet?

Barry] Yeah, we are writing it now.

S] What can you tell us?

Ross] I think the key words are that it’s going to be even more over the top.

S] Will the Olsen twins be guesting on it?

Barry] We are hoping Mary-Kate might be the guest obo player and Ashley will be on the stylophone! [laughs]

S] So what’s your message to people that are going to come out and see you this year?

Barry] We are looking forward to seeing everybody who has been nice enough to buy a ticket. No matter how many people.

Ross] Yeah, we are looking forward to seeing both old and new faces, also our message is just to bring your rock neck and some dancing shoes.

For more information visit the band’s official MySpace.

Ian Watkins To Remix Twin Atlantic

According to the L’amour La Morgue’s (aka iain watkins) myspace:
“L’AMOUR LA MORGUE UPCOMING REMIXES – SNOW PATROL – TWIN ATLANTIC – NELLY FURTADO – THE BLACKOUT – FLO-RIDA…….
Posted 13 hours ago
Mood:vital”

Thanks to RussellAVA for sending this in.

The Big Issiue Studio 24 Review

A throbbing crowd of 17-year-olds in sticky mascara, white T-shirts and jeans that are, to quote the kid in front of me, ‘indie as fuck’ is a tip-off to the manic energy that embodies Twin Atlantic’s sold-out Edinburgh gig.

Fresh from the release of their mini-album, Vivarium, the band seem genuinely taken aback to see several hundred bodies leaning towards the stage, their arms outstretched, and their heads nodding in time. Despite playing as the supporting band to alternative rock superstars, the Smashing Pumpkins, the band doesn’t seem to have shaken the dream-like state of long awaited success. Front man Sam McTrusty repeatedly asks the audience “is this as weird for you as it is for us?” If their screams are anything to go by, the audience doesn’t find the band’s burgeoning fame weird in the slightest.

Twin Atlantic have tapped into that distinctive brand of teenage angst, the unfocussed  and self-indulgent angst only available or plausible once in your life, and through the course of the night they drain the well. Songs vary from frenzied headbang-inducing numbers to cloudier, more subdued melodies. Exact lyrics are lost amid occasionally overpowering instrumental and bounding energy, making several numbers enjoyable but superficial.

Yet the lead singer’s occasional bemused smile and wide-eyed surprise pulls the band back from the perilous edge of teen-rock melodrama and there are moments where you get a taste of what this band could be in a couple of years’ time.

Despite signing with an American record label the band has remained wary of Americanization, as their song ‘You’re Turning Into John Wayne’ recounts. Underlying Glasgow accents which break through the surface to full effect in ‘Better Weather’ coupled with a lack of affectation add a soulful edge and pull the band out from the indie jean masses.

Twin Atlantic may still be on the first step towards their hugely ambitious vision but the explosive unabashed energy between the crowd and the band leave little doubt that they and the fans are going to love every minute of it.

MAIRI GORDON”

Twin Atlantic want you to film them at their Edinburgh Show

“We get to play. You get to film. Lets make some moments you and I, Friday night…

Twin Atlantic plays at Studio 24 in Edinburgh, this Friday and invites you to bring your camera, film the good stuff, and upload it to
Our YouTube TA Studio 24 Group. We’ll compile a full video piece and roll screen credits so you can see whose work prevailed. Lets do this, Edinburgh!

http://twinatlantic.com/board_posts/rules-for-studio-24-diy-video”